In Japan, the creation of derivative works or “doujinshi” has been a common and popular practice, especially at events such as the Comic Market (Comiket). However, behind this seemingly harmless culture, there is a deep unease among certain mangakas, who see in these works a problem that goes beyond simple homage.
Although many mangakas are tolerant of the creation of doujinshi based on their works, there is a considerable number of authors who do not look favorably on this practice. According to a recent report by Daily Shincho, an anonymous mangaka revealed his dislike for doujinshi, especially those that drastically alter the personalities of their characters or feature them in inappropriate situations, such as adult content.
This author, identified as “Author A” so as not to reveal his identity, expressed his annoyance: “Clearly, I don't like doujinshi. I believe that the unauthorized creation of adult doujinshi with my characters is a violation of my moral rights as an author.» This feeling reflects the internal conflict of many creators who, although they understand that these fans do it out of admiration, feel that their characters are exploited and distorted without their consent.
The problem is not limited to just character modification. “Author A” also criticized the fact that many doujinshi creators make considerable profits without the original author receiving any compensation.It's unacceptable that some doujinshi sell so much and I don't see a single yen of those profits. Can this really be considered a fan activity?“, he asked, highlighting how some doujinshi creators have taken their work beyond sales events, distributing it in specialized stores or even in digital format.
Even more worrying is the recent rise in the quality and quantity of doujinshi derivative products, such as acrylics, keychains, pillows, and even blankets, that are created without the license or permission of the original author. “Author A” noted that while in the past these products were of low quality and did not compete with official products, today they have reached levels that rival or even surpass licensed products, which further complicates the situation.
It is clear that the topic of doujinshi and derivative works is a complex issue that needs to be discussed more openly. While some mangakas, especially from younger generations, see doujinshi as a form of promotion or even a scouting opportunity, others, such as “Author A,” believe that original work and the rights of creators should be respected.
In a world of advancing technology and new ways to create and distribute content, it is crucial to establish clear and fair boundaries that protect both the original creators and the fans who wish to pay tribute to their favorite works. With the growing debate over copyright, generative AI, and unauthorized commercialization, we are likely to see more discussions on this topic in the near future.
Fountain: Daily Shincho
